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Pérák, the Spring Man of Prague

Throughout history there have been no greater super-villains than the Nazis. Countless books document the historic battle against their evil, and countless fictional heroes have tested their mettle against them, including Indiana Jones, Daffy Duck and Captain Kirk.
In comics, their are stories of Superman, Wonder Woman, Captain America and the Sub-Mariner battling super-powered Nazi villains, and one story holds that the Human Torch burned Hitler himself to death.
But I’m interested in real-life super-heroes, beings with super-powers, and at the time I maintained that at the very least, superheroes should:

1. Have an origin.
2. Gain some sort of superpower.
3. Fight crime.
4. Maintain a distinctive costume, or at the very least a “look.”

There is another criteria that is sometimes added, one that I maintain is not necessary, but nevertheless often present when discussing superheroes, and that’s a secret identity.

The problem with a secret identity, when discussing a real-life superhero is that the identity, if successfully maintained, would prevent being able to distinguish items 1 and possibly 2 on the above list.

There would be no way to know the superheroes origin, and the extent of his powers could only be guessed at.

One would assume that such a super-hero would gain legendary status, and he might take his secrets to the grave.

So it is that we come to Pérák, the Spring Man of Prague.

Supposedly an urban legend from the time of the Nazi occupation of Czechoslovakia, Pérák, which roughly translates as ‘the Springer’ “was said to leap out from shadowy alleys and startle passers-by.

Oral tradition suggests that some of Pérák’s leaps were of an extraordinary magnitude, including the act of jumping over train carriages, similar to England’s Spring Heeled Jack,” at least according to Callum McDonald and Jan Kaplan in their book Prague in the Shadow of the Swastika: a History of the German Occupation 1939-1945 by way of Wikipedia.

We know little about Pérák, there is no official record of his existence entered by the Nazi/Czech police during the period.

But the legend strongly suggests that Pérák harassed the German occupation forces, through the use of steel springs attached to his feet.

At least one Czech citizen at the time believed that Pérák wore a black mask and worked as a chimney sweep.

That citizen was master Czech animator Jiří Trnka who created a cartoon about what he knew.

Is there any reason to doubt what he says?



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