Connect with us

Hi, what are you looking for?

Reviews

‘Late Night With The Devil’ Steelbook Blu-ray (review)

RLJ Entertainment

Back in 1992, the BBC was inundated with complaints after the fictional paranormal investigation program Ghostwatch was broadcast during prime time on October 31st, and the program was all but buried due to the outrage from a significant portion of the public who had been left traumatized by what some thought was a genuine broadcast depicting real events.

Silly as it may seem more than three decades later, at the time Ghostwatch was broadcast, entries into the found footage genre were scarce, and the trust in television presenters was still substantial, as they were often considered beacons of integrity.

Thus, when the likes of Michael Parkinson, Sarah Greene and Mike Smith appeared on the screen in a show that imitated the format of the popular live broadcast Crimewatch and used its same phone number – which was so overwhelmed by calls that it failed to play a pre-recorded message that informed callers Ghostwatch was a fictional presentation.

Many viewers, who had missed the initial disclaimer about the nature of the program at the beginning of the broadcast, were confused at best, and terrified at worst.

While Late Night with the Devil does not have the benefit of its concept being novel due to featuring purely fictional characters and viewers being accustomed to the found footage genre nowadays, it is nonetheless still a good concept that lends itself well to the world of horror.

Being largely convincing stylistically with its cinematography, set design, and the various characters involved fitting in well with a late night talk show from the 1970s, the commitment to the era works overwhelmingly well, except for a few out of place props and those three disappointing, AI-generated interstitials that appear from time to time.

The pacing of the film is superbly managed, with the intro about the main character – David Dastmalchian’s oleaginous Jack Delroy – lending the film a mockumentary feel sprinkled with a hint of camp, and as the show unfolds, the sense of dread steadily mounts until a scary moment catches you off-guard.

And those scary moments are executed very well.

The effects are impactful without being excessive, nothing is cheapened by lazy jump scares, and the TV medium is used to its full effect to enhance the type of scares utilized.

Not particularly gory, the film does nonetheless feature some body horror, but the restraint with which it is used here makes it that much more effective compared to how many newer possession horrors often overuse body horror and gore to an almost cartoonish extent.

Always slyly winking at the viewer, Late Night with the Devil takes an ironic approach to both vintage pop culture in general and the demonic possession genre in particular, but while the film certainly has an undercurrent of humor, it never undersells the horror aspect, which is further empathized by how the intensity and weirdness is increased as the show unfolds.

Here, the film achieves a rare balance between its elements of humor and horror, which is further helped by the editing and the way the performances are honed to emphasize the discomfort one would associate with watching a broadcast gone wrong in the comfort of one’s home.

Featuring several competent performances of various archetypes, lead David Dastmalchian undoubtedly steals the show with a pitch perfect performance as a stereotypical late night talk show host of yesteryear.

Due to his efforts conveying the stereotype well, it becomes that much more uncomfortable when the facade begins to crack, and thanks to Dastmalchian’s range, his performance is nuanced and compelling throughout.

Watching it by yourself at home on the small screen may be the most immersive way to experience the horrors of Late Night with the Devil, as the small screen is after all what it is trying to emulate, and it does make a fine double bill with Ghostwatch indeed.

Extras include commentary, Q & A with the directors, and a featurette. Also included are several physical pieces of ephemera including a Night Owl’s logo Air Freshener, Autographed photo of Jack Delory, Conversations with the Devil bookmark, and a flyer for The Amazing Christou.

Verdict: 8 out of 10.

 

Click to comment

You must be logged in to post a comment Login

Leave a Reply

DISCLAIMER

Forces of Geek is protected from liability under the DMCA (Digital Millenium Copyright Act) and “Safe Harbor” provisions.

All posts are submitted by volunteer contributors who have agreed to our Code of Conduct.

FOG! will disable users who knowingly commit plagiarism, piracy, trademark or copyright infringement.

Please contact us for expeditious removal of copyrighted/trademarked content.

SOCIAL INFLUENCER POLICY

In many cases free copies of media and merchandise were provided in exchange for an unbiased and honest review. The opinions shared on Forces of Geek are those of the individual author.

You May Also Like

Reviews

1973’s Enter the Dragon was an atom bomb of cool dropped on an American public that was looking for somewhere, anywhere, to be other...

Reviews

Let me say right here up front that I’ve only ever read a handful of Deadpool comics and I had my fill of Wolverine...

Reviews

Robin Williams was an utterly fascinating individual. I recently re-watched his early pre-Mork TV appearances on the second iteration of Laugh-In. I remember watching...

Columns/Features

There are some fantasy, science fiction, and horror films that not every fan has caught. Not every film ever made has been seen by...